That Floating Poo Was Way Too Symbolic! These Are the TV Disappointments of the Past Year.

Looking back, we consider the TV landscape of the past year, a handful of shows stand out not for their excellence, but for their spectacular failures. From awkward sequels to bafflingly poor documentaries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

How to start with this divisive follow-up? Burdened with dreadful writing, painful arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to find its footing. Briefly, as the third season started, it looked like it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final season. It concluded on a bum note; the closeup of Miranda’s toilet flooded with poo was just way too on-the-nose. Yet, viewers undeniably had a hoot picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this drama's problems. The subject of a exceedingly uncommon zero star assessment, it was difficult to know where to begin enumerating the flaws. The laughably leaden dialogue? The tedious veneration of affluence and consumption? The seemingly deliberate parade of tropes? Acting so bad they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. However, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse allegations and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this multi-part documentary which chuckled along at Sheen’s various bouts of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might evoke should be reserved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Naturally we knew it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

MobLand

Shady figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to indulge baffling accents. But there were many other issues. Mainly that it was just really dull; a conflict over drug-selling territory between various London rogues which felt a bit basic.

With Love, Meghan

Given the degree to which she grinds the gears of the nation’s performatively angry commentators, it’s almost tempting to admire the Duchess of Sussex’s televised forays into quaint homemaking as deliberate provocations. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a lifestyle magazine animated; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be discussed about regarding Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this documentary series chose not to explore them. Instead, the experience was like consuming a sales catalogue. She obviously has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this cagey non-event of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her estate. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was straining desperately to live up to something far greater than it.

Too Much

How does one succeed a show that defined a generation? The pressure was enormous for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, somewhat stylised farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and killing off – intellectuals honestly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality renowned for explicit escapades as she undertook her most extreme challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her true psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was horrific shots and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Debra Simmons
Debra Simmons

Maya Chen is a sustainability consultant with over a decade of experience in green technology and corporate environmental strategies.

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